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All Dogs Go to Heaven received mostly mixed reviews,[7] maintaining a 44% approval rating on Rotten Tomatoes based on 17 reviews,[3] and a 50 out of 100 score from Metacritic.[12] Reviewers often drew unfavorable comparisons to The Little Mermaid, criticizing the disjointed narrative, the quality of the animation, and the songs by Charlie Strouse and T.J. Kuenster.[13] The film received a "thumbs down" from Gene Siskel and a "thumbs up" from Roger Ebert on a 1989 episode of their television program At the Movies. While Siskel found it to be "surprisingly weak" given director Don Bluth's previous works, due largely to its "confusing story" and "needlessly violent" scenes, Ebert was a huge fan of the movie's "rubbery and kind of flexible" animation, stating he felt it was a good film despite not being an "animated classic".[14]
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Some also found the darker subject material objectionable in a family film,[15][16] given the film's depictions of death, violence, theft, drinking, smoking, gambling, murder, demons, and images of Hell. Other reviews were mostly positive, with critics praising the film's emotional qualities, humor, and vibrant color palette.[17][18] Roger Ebert, who was unimpressed with Bluth's previous film An American Tail, gave it three out of four stars, remarking that the animation "permits such a voluptuous use of color that the movie is an invigorating bath for the eyes" and that although he preferred The Little Mermaid, which opened on the same day, he still found Dogs to be bright and inventive.[17] However, film critic Leonard Maltin gave it one-and-a-half out of four stars, due to unappealing characters, confusing storytelling, and forgettable songs.[19] Common Sense Media is concerned about the depictions of illegal drug usage and excessive thematic elements plotting in a family oriented movie.[20]