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"The Gardener" Synopsis: Mid-aged widower maintains homeowner yards, and also brings love and joy to a handful of lucky single women. One of his lady friends has a young woman relative who has a severe problem. The Gardener and all his women friends come to her aid, in this sexy frolic of life conditions, compromises, friendships, and reconciliation.

Joann is a Big Beautiful busty blonde woman. She is 5 foot 10 inches, and looks a bit big boned. She has full mane blonde hair that run down her lower back that frames her beautiful face. She wears clothing that conceals her ample figure when she is out working or shopping. She never married, but had a string of short term relationships, after each failed affair she put on extra weight.

I have about 25 to 28 customers; I take care of weekly. There are only a few single women on my route. Over the years many of these women would kiss and hug me hello, and tell me their problems. We would talk for hours. I love their descriptions of there past loves' blow by blow accounts, or should I say stroke by stoke accounts. I would like to help them, but didn't know where to start. I have a notion these ladies maybe willing to engage in some "afternoon delight," but I will go along until who knows what.

Joann told me that there was a coffee meeting between three of my single women. It was a long cold winter period about two years ago. They were lamenting their situation of not having good trusted men around for their sexual release. They didn't need husbands or boy friends to spend their money or tell them what to do. From all the men they knew, they all apparently liked me.

I lost my wife of twenty years due to an advanced illness about three years before that. At the time, I hadn't been intimate with any women since. I am usually shy; I am not the one to make the first move.

Rolls drove the girls to the corner of New York Avenue and 15th Street. When he stopped, the two threw a fit and demanded to be driven to the New York Avenue in their native Long Island. Rolls finally gave in to their demands, driving six hours to drop the women off near their favorite mall.

GI Joe -- the rugged army grunt who shoots down enemy combatants in the blink of an eye and isn't afraid to brag about it later -- is the archetypal American man. And Barbie -- impossibly busty, blonde-haired and long-legged -- is the ideal representation of femininity.

They both represent a certain two-dimensional picture of American life, or life as it should be, where all the women are drop-dead gorgeous and all the men happily rush off to war, to fight against unnamed and ever-shifting 'baddies'.

But then there is Alaska Governor Sarah Palin [Images], who as vice-president would be 'one heartbeat away' from the presidency. Generally, this wouldn't be a clinching point; but given Senator McCain's advanced age (72 years old) and his bouts with potentially deadly skin cancer, it's important to search the woman's background and beliefs with a fine-toothed comb.

The most absurd net result from all this posturing is that now Republicans are lecturing Democrats about putting women in high authority and the negative effects of sexism. If Palin were a man, there's no question that she would never have even been mentioned, let alone chosen. Therefore, this amounts to a paternalistic, condescending bone tossed to the American people, and nothing more.

So, there you have it. Republicans, in choosing a woman, argue that they are the true party of feminists, even if their female candidate is anti-choice, pro-military, pro-guns, pro-religion in the public sector, anti-sexual education and is, in general, diametrically opposed to everything the feminist movement has achieved for American women.

Games Inspire Otherworldly Art Fine art has been in video games for decades -- at least since a cartoon mouse rescued the Mona Lisa in the early-'80s arcade game Mappy. But are video games themselves fine art? At E3, a juried exhibition of art from video games called Into the Pixel addresses that question. The show features 16 pieces of video-game art, chosen from among more than 140 submissions. Game engine renderings and concept art are both represented and the subjects range from moody landscapes to an expressionistic painting of Nintendo's bulbous pink mascot, Kirby. One of the pieces, created by a team from Electronic Arts, is a rendering of an Orc from Lord of the Rings: The Third Age in battle stance. Another, Hakha the Hunter, depicts a futuristic soldier from the game Killzone with requisite huge gun. These aren't just character-design showcases, however. The jurors' comments indicate that composition, colour and light were all concerns in selecting the pieces. The works aren't just free-standing renderings of bad guys and busty women, but reflect the emotional and immersive content that video games can offer. All told, while the works are often striking and even beautiful, there is one important omission. While there are renderings, drawings and paintings, there are no actual screenshots from games. Even the orcs and soldiers are more likely to be something you'd see on a video game's packaging rather than in the video game itself. It's an odd choice to remove the video game from the video-game art, and the underlying message is that while video games can inspire art and art can inspire video games, what you're playing on your screen doesn't qualify to hang in a gallery, even a gallery located at E3. The attendees clearly cast their votes with their attention: While Into the Pixel gets a share of traffic, the static images in their frames don't get a fraction of the consideration given to the moving, flashing art displayed on the thousands of game screens at the expo.

When traveling, one must tread that fine line between misguided stereotyping and appreciation of genuine cultural differences. People may share the same dreams of contentment and happiness for their families, but no traveler can hang onto the illusion that folks are the same everywhere. If that were the case, the NHL would be a global phenomenon and we would have troops in Iraq.

Remembered as the busty blonde from the golden age of film, Mae West was one of Hollywood's and Broadway's most popular comedians. But beyond the blond bombshell façade, she was an extremely astute businesswoman who understood and capitalised on the changing times around her. She was deeply influenced by African-American culture and was unafraid to address risqué subjects in both her private and working lives. Bawdy and often hilarious, West was a true renaissance woman who was not only an entertainer but also took full control over her own career. West continues to be one of the most quotable personalities of the modern age. Her comedic talent and frank appraisal of sexuality have fantastic appeal to contemporary women's fun/sassy sensibility. She is the perfect celebrity on which to build a campaign targeting a feminine audience in several demographics - be that for clothes, cosmetics, cars or even financial services.

I have spent countless hours delving into Warhol's life, talking to friends, family, and business associates from the 1960s. Blurring the distinction between "fine" and "commercial" art, Warhol's iconoclastic paintings of soup cans and movie stars became masterpieces of the 20th century. Born to immigrant parents, Warhol earned a scholarship and was the first in his family to go to college. He invested wisely and proved that you don't have to wear a suit to be an astute businessman. He would be a fantastic representative for financial services looking to attract people with high disposable incomes.

Wilbur and Orville Wright's creative and technological genius revolutionised transportation. Yet despite this the brothers were simple men from Ohio who kept their feet on the ground. I have had many conversations with the brothers' surviving family, and learnt that the two men valued family life above all else and were never happier than when laughing around the dinner table. On the date of the first powered flight, 17 December 1903, both Orville and Wilbur expressed relief at their success because it meant they could put work aside and travel home for Christmas. I also discovered that both men loved to cook. Orville had a tradition of stuffing the Christmas turkey and each year he would say, "'Tis a fine bird this year." The potential for an ad campaign based on this aspect of the brothers' lives is huge.

My insight into Gloria Swanson has been gained largely through intimate conversations with her daughter. Swanson was was a pioneering businesswoman. Constantly challenging the social constraints of the 1920s, Swanson was at the forefront of women's liberation. Married several times and a mother of three children, she was among the founding members of United Artists, a major Hollywood film studio. This allowed her to produce her own films, something unheard of for women at the time. Swanson is the perfect vehicle for high-end perfume and cosmetics - or any companies wanting to appeal to successful, entrepreneurial and sexually independent women. 041b061a72